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Tuesday, June 15, 2021

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‘Modernism is built on African art – but that’s never really acknowledged’ … The incendiary Les Demoiselles d’Avignon by Picasso. Photograph: Jorge Zapata/EPA
in The Guardian's recent article on Cultural Appropration : “After Matisse showed Picasso African art for the first time,” he says, “it changed the history of modern art.” This is no hyperbole. It immediately led Picasso to repaint Les Demoiselles d’Avignon, the incendiary canvas he was working on in his ramshackle Montmartre studio, giving three of the five naked sex workers in it “African” masks that set them free from all previous western artistic values and rewrote the rule book about what an image can be.


Photograph: Ludovic Marin/AFP/Getty Images  in The Guardian's 13 photos that reveal what the G7 summit is really likeUsually, G7 group photographs that involve tables are taken in stately dining halls, with gold chandeliers and snow-white tablecloths, but here we have European commission president Ursula von der Leyen, French president Emmanuel Macron, European Council president Charles Michel, [German Chancellor, Angela] Merkel and Italy’s prime minister, Mario Draghi, crammed around a picnic table. 





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